Begone Dull Care!
And Greenspan & Didemus are touring the states with Max Tundra in April.
So awesome.
a little of everything, a lot of nothing...
Labels: Mark
"'All this light is dead,' said Ingeborg. 'All this light was emitted thousands and millions of years ago. It's the past, do you see? When these stars cast their light, we didn't exist, life on Earth didn't exist, even Earth didn't exist. This light was cast a long time ago. It's the past, we're surrounded by the past, everything that no longer exists or exists only in memory or guesswork is there now, above us, shining on the mountains and the snow and we can't do anything to stop it.'
I've solved a problem that's been driving me crazy for years. I always have an external monitor hooked up to my laptop when I'm working from home, and I thought it was impossible to identify the external monitor as the primary screen while keeping the laptop display active. Using two screens was no problem, but the primary screen always had to be the laptop display. No longer!
Sorry Logan, an album this full of good tracks can't be bad, even if it was made by the worst kind of people. Trust-fund Wesleyan hipsters. Although if you hate the Killers I can see why you would want to hate this band. They're like the Killers, only if the Killers had more talent and imagination.
Santi White got the contract to record her solo album while singing for a Philly punk-rock band called Stiffed. This was after she had collaborated with GZA on two of his albums and produced an album for Res, and about the same time she co-wrote a song for Ashlee Simpson. So I guess it's no surprise that the album is difficult to categorize. Punk-hop? World-pop? M.I.A. Sound-a-like? Well she does kind of sound like M.I.A., but I think that's a good thing. And even though they sound a like they're certainly not the same, Santogold's sound is scattered, but refined, she's not as raw as M.I.A. She is a student of the game, pulling from an, at times, overwhelmingly wide variety of influences. But all-in-all she pulls it together with impressive technique. This album is good, really good, but it feels like an early work of an artist who has a lot more left in her. I expect the next one to be even better.
Anticon sort of started as a counter-hip-hop label. The Anticon artists seemed to define themselves by what they thought hip-hop was missing. And it was good. I'm not sure that is really a sustainable identity though, luckily Anticon didn't put it to the test. Alopecia is an indie-rock album. It doesn't really even try to be a hip-hop album, except that it contains some of the best hip-hop of 2008.
I know, I know, it's an EP. But with 10 unique songs (no remixes) it's almost as long as an album. And hey, it's good, that's what counts. The Cool Kids are one of those couples that met on myspace. You know how the story goes, boy writes a beat, other boy wants to buy the beat, two boys meet to discuss terms of sale, yada yada yada, the two boys become the Cool Kids. Antoine “Mikey Rocks” Reed is from Chicago, and Evan “Chuck Inglish” Ingersoll is from Detroit.
I mean if you don't like Lil' Wayne, nothing I write here will convince you. Let just say, however, that “Let the Beat Build” is the reason the Utes won the Sugar Bowl. (!!!!! by the way)
Other than Adele's voice 19 is probably just an album full of well written and well produced pop. Her voice, however adds a texture that helps the album elevate to something lasting. Aside from that, I can't really say why I like this album so much. This review was the hardest one for me to write, it's just great the same way that a great tomato soup is, nothing special, just good for the soul.
After listening to the DJ Kicks Hot Chip mixtape last year (thanks Logan) I was anxiously anticipating the release of Made in the Dark early last year. I was not disappointed, but I was surprised. The album is more than just the fun that “My Piano” showed me last year, it is soulful, complex, and yes, you can dance to it.
Haters might say this is way to high for Alphabeat, a Danish pop band that has seen little success in the States, but I say that anyone who turns down opening for the Spice Girls' reunion tour deserves some serious recognition. The band employs a lot of classic pop sounds, and they don't really do much that's new, but it's somehow refreshing. Their execution is spot on, and the male-female duet vocals make me smile every time.
What is a 24-year-old Jazz Bassist/Berklee College of Music Professor doing in the two spot of this list? Kickin' ass, that's what.
I already wrote a post recommending this album, but let me try to say something new about it. If these guys were any worse at what they do (even just a little) this album would be bad, like not worth listening to bad. But they're not, and the album is stellar. In many ways this album is a cliche; a guy breaks up with a girl, gets out the guitar, and waxes emotional. But Frightened Rabbit capture the real emotions and momentary misogyny that I myself have felt a few times while trying to get over a relationship. The music is straight-up rock and roll, but that doesn't mean Frightened Rabbit aren't inventive, these guys are what the Hold Steady could be if the Hold Steady ever grow up.
"Harman offers a compromise between Kafka’s intended title and Brod’s more familiar one by calling his version Amerika: The Missing Person. And he follows previous English editions by retaining the German spelling of America, with a 'k.' This lends the name, in American eyes, a more ominous and alien quality than it would have for the German reader. That 'k' is hard to resist, however, and not just because readers have come to expect it. No writer has ever annexed a single letter the way Kafka did with 'k.' Between the two in his own last name, Joseph K. of 'The Trial' and K. of 'The Castle,' the letter seems imbued with his own angular essence."