Don't Waste Your Tears On Me
This is the album the clandestine Jaxxophobes have been waiting for.
After three masterpieces, including the delirious Kish Kash, Basement Jaxx have released a record that finally sees a halt to their blistering momentum.
On first listen, the disc is underwhelming.
Hush Boy, essentially Oh My Gosh redux, loses the crucial match-up of lead-off tracks (against the flawless Rendez-Vu, Romeo, and Good Luck). And the whole radio leitmotif is a bit silly -- then again Felix and Simon have always been about shameless maximalist dance flourishes and have never relied on subtlety.
So if this album is a disappointment, why can I not stop listening to it?
Hey You is a klezmer-house mashup that manages to out camp Buz Luhrmann -- and it may be the wildest song you hear all year (and the synth line that comes in on the back half of the chorus is simply awesome). Take Me Back To Your House is possibly the biggest surprise, an impossibly catchy country tune refracted through the Jaxx dance machinery.
It may be a grower, but Basement Jaxx always get you in the end.
[ed: this is why I can't do music reviews -- there is an adverb in every sentence]
After three masterpieces, including the delirious Kish Kash, Basement Jaxx have released a record that finally sees a halt to their blistering momentum.
On first listen, the disc is underwhelming.
Hush Boy, essentially Oh My Gosh redux, loses the crucial match-up of lead-off tracks (against the flawless Rendez-Vu, Romeo, and Good Luck). And the whole radio leitmotif is a bit silly -- then again Felix and Simon have always been about shameless maximalist dance flourishes and have never relied on subtlety.
So if this album is a disappointment, why can I not stop listening to it?
Hey You is a klezmer-house mashup that manages to out camp Buz Luhrmann -- and it may be the wildest song you hear all year (and the synth line that comes in on the back half of the chorus is simply awesome). Take Me Back To Your House is possibly the biggest surprise, an impossibly catchy country tune refracted through the Jaxx dance machinery.
It may be a grower, but Basement Jaxx always get you in the end.
[ed: this is why I can't do music reviews -- there is an adverb in every sentence]
4 Comments:
So is anyone going to put out a good CD this year?
I was listening to X96 and Keane's "Is It Any Wonder" came on.
I don't know if I was more disgusted that X96 would play such weak M.O.R. shit or that I kind of liked it.
I confess my ignorance, M.O.R.?
So are you here in town or, like, not? I'm confused...
HAHAHA. I just looked up M.O.R. for you and look who tops the examples at the bottom of the page.
In answer to your earlier question, I would recommend, without reservation, Band of Horses Everything All The Time and Mission of Burma The Obliterati to anybody with eardrums. [You also may have noticed them on my spiffy sidebar]
In other music news, the new DJ Shadow CD is whack, while the opening track of the new Yo La Tengo is ten minutes of pure awesome.
Eagerly awaiting the Decemberists and Rapture releases.
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